Gamer Self-Cognizance: All signs point 2 teh iluminardy ( ͡° ͜ʖ ͡°)

For those who haven’t been keeping up to date on the latest, admittedly-stupid, Youtube fads and cannot recognize the image above or any of the tags at the bottom of this article, then this may all be new to you. As we all know, the gaming community is comprised of a large variety of vastly different peoples, some of which have managed to gain vitriolic reputations on the internet for their rather dubious natures. So what happens when  gamers come to grips with the realization that certain aspects of their culture are inherently worth mocking? This apparently:

These videos are known as “Montage Parodies”, or alternatively, “MLG Parodies”. They are often crass, resemble “Youtube Poops,” and on occasion, have the ability to give the more fragile, unsuspecting members of the audience epileptic seizures. If you’re a gamer and the phrases, “get rekt” or “u wot m8” don’t mean anything to you, or if the often-reprimanded products, Doritos and Mountain Dew, are nothing more than simply sodium and sugar-filled junk snacks, then there’s only one of two different possibilities here. Either you have managed to live under a rock, hidden safely away from the people who spend the majority of their life in competitive online lobbies, or you’re clearly part of the supposed problem these videos are attempting to shed light on.

On Youtube, one can find thousands and thousands of videos of gameplay montages comprised of Call of Duty footage off a capture card. Every middle schooler and their mom has their own would-be killstreak videos clogging up the internet. Often times these videos are preceded by an overly flashy “clan” or “production” intro in order to convey a sense of legitimacy. The content that follows afterwards is almost always the same: an overly flashy, edited-to-death compilation of various snippets of online CoD matches the creator of the video thought were cool enough to please kids with ADHD long enough to get Likes and recognition within the community. However, CoD players are a large population and some of them have noticed this trend and have applied the same level of craftsmanship to  real-world footage, as well as to other mediums of entertainment, exposing the absurdity of it all in doing so. It’s something of a phenomenon, regardless of whether the jokes will last or not, as a serious impact has still been made.

Utilizing similar principles that memes do, (and sometimes including them) the videos have the strong possibility of eventually losing steam due to over-saturation. Though not exactly referential humor, many of the laughs stem from joke recognition applied in foreign scenarios. For now, they can be utterly hilarious and can manage to have me laughing at the same jokes told in slightly different ways, but only time will tell if the photoshopped fedora and blunt will go the way of the troll face. However, I feel that as long as Call of Duty, Halo, and the like are still getting matchmaking lobbies filled with the pubescent amongst us, the words “oh baby a triple,” will still have a reliable, meaningful concept behind it: that videogames make people think the dumbest, proudest things of themselves.

Regardless of whether or not one considers MLG parodies works of art, or even videogames as art for that matter, there is still a very real, symbiotic relationship between entertainment media and the public which consumes it at work here. Life imitates art, and art has the power to influence life. So while what we’re seeing here may at first glance appear to be simply dumb fun to kill a few minutes on the bus or on the toilet, it actually, strangely, is representative of the ebb and flow between artists and consumers of art. By acknowledging certain aspects of gamer culture, an awareness to the self is made known. AAA videogames tend to appeal to the lowest common denominator, and in doing so, consequently dumb themselves down for mass appeal. Videos like this show that the this is not necessary. Though seemingly the lowbrow works of churlish philistines, parodies like these illustrate a cognizance and self-recognition within the audience and that games can be more than what they are; that the M on the box can actually stand for the word “Mature.”

If big name developers and publishers will ever fully realize the opportunities by which an interactive medium gives them is a question that is currently up in the air. The public wants it, and games like The Last of Us proved its success. But alas, who’s to say? No one can know for sure… but I have a feeling this is the answer:

*videos by Banzala and Materialisimo

**illuminati by deez nuts

Jak 3 Review

Jak 3 is the perfected Goldilocks of the Jak and Daxter series. Balancing the polarity between the first two games in regard to tone and difficulty, this ultimate entry in the trilogy manages to find a happy middle ground. The returning gameplay elements of Jak 2 have been buffed and tweaked making for a more enjoyable gameplay experience. Adding in new off-road vehicle gameplay as well as giving the player a much larger arsenal of weaponry and eco powers does well to support this epic third act. Jak 3 is Naughty Dog’s most complete representation of the ideals set forth in 2001’s The Precursor Legacy. And still, this game from 2004 manages to perform on a technical level that, even today, some games cannot achieve with the same level of consistency. If the first two installments were both great games, then this last game does not only stand as the zenith of its trilogy, but represents one of the pinnacle series of the sixth generation of consoles, period.

Starting with the story, I feel it’s important to get the chief complaint I have with this game out of the way. Some of the dialogue and characters, which have all generally been of a high caliber, are now somewhat uneven in execution. This has a couple of implications as a result. One being certain lines of dialogue (and the use of the word, “hero,” all the time) will make you feel like Jak and Daxter have become a little too self-aware, but in the way that a Looney Tunes character is. Jak literally has a line in which he says, “I’m through saving the world,” as he turns away from the person he was speaking to and moodily faces the camera as if trying to win a Mexican soap opera award. Also, characters that were established in the previous games have very little impact or character development. They still maintain their personalities and give very well-done performances, but the way they behave like the talking heads from Jak 1 gives the sense that they’ve just come along for the ride in this third game. The game expects the player to know who all of these returning characters are (which many players probably will), but in doing so, it shifts character development exclusively to those of the new roles, whilst the old ones are kind of just… there. They’re supportive and serve their purpose in telling Jak to beat up the bad guy, but that’s it. Also, the end baddy is once again just the epitome of pure evil. Lacking any personality aside from pure hate, it’s as if Naughty Dog’s solution to making the antagonist went something like this: “You thought the last guy was evil? Well this guy is even more evil-er. He’s gonna destroy the whole planet, yo!” So, ND kind of worked its way into a corner with that one. Like, it does not get any more Snidely Whiplash than that. Planet Destruction? Where could they even go from ther-… Oh… right… the kart racer.

That all being said, the remainder of the game is still head-and-shoulders above many of its peers, and the issues stated are really rather nominal when looking at the game as a whole. In fact, if one were to play all three games back-to-back, some of the really staggering revelations related to both Jak and Daxter’s origins have the strong potential to hit you right, square in the feels. The campaign begins much in the same way the previous game did: by thrusting the player right into an unavoidable fecal storm. Watching the first cutscene in these games is like that terrible moment when two men in suits show up to your door to break the bad news to you. It’s brief, unsettling, and you just have to deal with it. For the uninformed, Jak gets “banished to the wasteland for life,” by Count Vegar (a political figure who has seemingly appeared into this universe from thin air, seeing as how he was not in Jak II), and subsequently, Jak is rescued by desert wastelanders who all value being a bunch of badasses. Or was it strength and survival? Hmm… pretty sure I picked the right one. From there, Jak must earn the respect of his new comrades and gain citizenship of his newly adoptive city of Spargus, as well as go back to Haven City to save the day, triumph over evil, get the girl, and all that reggae. The story is good, despite following the fairly familiar plot. The fantasy elements and the way in which the mythos of the precursors weaves its way in, not to mention the shockers on the tail end of the game, will keep you entertained throughout. Jak’s less brooding, Daxter breaks the fourth wall some more, and you finally get some nice closure in your life. What’s not to like?

As previously stated, the gameplay is at its peak form in Jak 3. The same mechanics and moves that have been there since the first game are all still intact, but the gunplay, vehicle missions, and difficulty have all been refined. Jak will gain 12 gun mods throughout the length of the game, 4 of them are returning, and the other 8 are increasingly powerful add-ons. For example, the 2nd mod to the gatling gun now shoots a steady stream of raw energy, and the 3rd Peace Maker variant literally shoots mini-nukes. (This game came out before Fallout 3. *gasp*) This means 3 guns in total will eventually share one ammo type, so depending on how a gun fires, and what sort of enemies the player is facing at the time, one can try a multitude of different strategies. This only multiplies when you also include the refined Dark Jak mode, and the newly introduced, angelic Light Jak. As opposed to Jak II, where the player had to fill the entire meter with eco before Jak could blow his unholy load, both types can be activated at any time so long as there is some gas in the tank. Ultra moves still require a full meter, but it’s quicker to fill, and ravaging your enemies like a spawn from Satan is now a viable tactic. Alternatively, Light Jak powers behave more defensively. Being able to create a shield, restore health, and freeze time (as well as a fourth one too good to spoil here) all work to make Jak’s repertoire of moves and methods of enemy disposal considerably wider. Experimentation with Light and Dark Powers alongside various weapons is recommended for the best experience.

Immense variety in mission structure has always been the calling card of these games, and Jak 3 is no exception. You’re going to get a lot of the good old stuff, some minigames, jet board sections (which has also been amped up by now having the ability to repel NPC’s while on it), Daxter-only missions, as well as many others that break up the normal running and shooting with different gameplay mechanics, such as on-rails shooting and controlling a large robot spider-walker with a friggin’ lazer beam attached to its friggin’ head. But the biggest addition this time around is all the car driving you’ll do. (I guess motor vehicles are just for plebs and sand people in this universe.) Starting early on, Jak will get behind a variety of off-road vehicles that each have different features suitable for different missions. Some of these missions and cars fare better than others, but none of them are bad. Because Jak becomes so OP with all his fancy new toys, these segments are likely where the good old Jak II frustration might set in. However, considering the fact that checkpoints have been placed more generously within missions now, it’s less probable that a particularly tough mission will leave you feeling just absolutely done with everything. When it comes to the cars, a lot of them love to tip over, and though it’s somewhat wrong to judge it since it’s been almost 10 years and driving in games has improved so much (unless you’re Watch Dogs or something), but one could find reason to complain when a certain vehicle controls less like a colossal dune-roaming truck, and more like a butter-greased boulder.

Jak and Daxter’s PS2 trilogy is a collection of games that ought not to be thought of as three separate titles existing within discrete vacuums, but rather, as a longer, interactive experience that is more than just the sum of its parts. With the final game completed, it’s hard not to feel a sense of wanting more. The game lasts somewhere between the first game’s 10 hours and the second’s 16, and Naughty Dog made sure that every second of time spent in its world would feel fun, challenging, and significant. Releasing only a year after Jak II, it’s incredible how remarkably polished the game is. Despite not having as much graphical sheen as its predecessor (probably due to the inclusion of a second open world), something you will never worry about is the game glitching or stuttering or any of the other technical foibles that can often times suck players right out of their immersion. Mild narrative shortcomings aside (Kiera’s sudden voice actress change can lead to some very real, Anchorman-esque, “you’re not Ron,” moments), getting to play through this game, and this series as a whole, is videogame indulgence. It’s fun, challenging, makes you care, and makes you laugh. Sometimes a hard mission will get you so mad you could spit *ptewy*, but at the end of the day it’s still, “oh Jak and Daxter, I can’t stay mad at you.” Because the obstacles the game sets forth never feel out of your capability, and the sense of accomplishment upon overcoming them is very rewarding. And what more should a videogame be, when all is said and done, than that? So, whether or not this shows my obvious nostalgia for Jak and Daxter, I present not only my Obligatory Number at the End for Jak 3, but for the entire trilogy as a whole. Are you ready?

epic fireworks show>>>

W00t! Obligatory Number at the End: 10/10! Would ba-… Err… would smas-… I mean,… would recommend.


Jak II Review

2000 words on my most nostalgic game:

If there’s one thing Naughty Dog knows how to do, it’s making games that truly earn the right to be called a sequel. Jak II is a monumental leap forward from the previous game, both in scope and technical achievement. Jak II uses the basic mythos, characters, and gameplay elements of the first game and expands on them so much further. The game mixes more sci-fi and drama with the fantasy elements developed in the original game, but in a way that feels completely natural. If the previous game did a good job of removing elves from their typical Warcraft/Elder Scrolls fantasy lore stereotype, then this second iteration in the trilogy will make it easy to completely forget that there are foot-long ears jutting out of the sides of everyone’s heads.

The most glaring and obvious change in Jak II from The Precursor Legacy is in the drastic tonal shift. The way in which the game’s mood turns on a dime within the first cutscene is almost comical. Just in the first 5 minutes of pressing “New Game,” the staple cast of TPL (Jak, Daxter, Kiera, and Samos) is literally sucked through the rift gate they discovered at the end of the first game, and are all completely displaced in a dystopian, totalitarian, police state. Then, if that weren’t enough, Jak gets captured, imprisoned, and subsequently subjected to 2 years of torturous Dark Eco experimentation under the dictator, Baron Praxis’s, orders. The perfect game for the kiddies!

Fortunately, on the eve of Jak’s execution, Daxter manages to find our downtrodden hero. Apparently after all that time, Jak learned how to use his voice. His first words to Daxter: “I’m going to kill Praxis,” pretty much embody his general attitude towards authority for the remainder of the game. It turns out Jak’s a man of few words, and he’s pretty mad about the situation he’s in, often speaking with a cross tone as if to instigate a fight with literally everyone he sees (sometimes succeeding in doing so). So… he’s a bit different than he was in the first game. There’s still some light-hearted moments and humor to be found in the game, despite this. This is due in part to Daxter serving a well done comic-relief role once again, piercing through everyone else’s serious demeanors. Always the wise-cracking weasel, the T rating does allow more adult jokes than the first game, including his getting drunk and the occasional sexual innuendo. How scandalous.

Without spoiling too much of the plot for this 10 year old game (you never know), Jak’s freedom allows him to enact a campaign of vengeance against the Baron, and on the way, he gets involved with a plot revolving around the ancient Precursors and a child heir fabled to be a savior to the city. The story is guided along by a much more fleshed out supporting cast of characters, each with distinct, memorable personalities. More developed mission handlers like Krew, (morbidly obese crime boss) replace the talking heads from the first game. Aside from the final boss, who is rather two-dimensional by contrast (a deceptive and despicable villain who’s only character trait is the embodiment of evil), the writing and characters establish a nice sense of connection to the game world. The twists at the end are pretty goddamn cray-cray, but because the story was treated as such an integral aspect of the game, they are relatively impactful, (as opposed to the slap of an elderly woman with osteoporosis had they been weaker).

The game is set in the futuristic metropolis, Haven City. Jak II’s new open world layout serves as one, large central hub. Similar to other open-world games, areas of the map are unlocked via story progression, but it happens pretty quickly. One gripe that rises out of this new approach to the world is the fact that the city ends up being just an elongated way of getting from Point A to Point B. And, with no interesting soundtrack (unless you’re into somber, ambient music), it gets tedious flying around all the damn time on hover vehicles (which Jak has no qualms about hijacking). Nevertheless, the objective content of the game is where Jak II shines. Missions differ from GTA and the like, in that most do not typically occur within the city. Instead, like the first game, unique locations exist as pockets budding from the main map. These locations are where the majority of the “action” takes place. Puzzles, platforming, and punching things all return. Levels are no longer littered with scout flies, power cells, and precursor orbs abound. (Precursor orbs return, but they are more akin to recent videogame collectibles in that there is a small, well-hidden amount which players are rewarded upon collection with in-game cheats.) Levels themselves follow the tried-and-true videogame rule of three. You’ll be going back to certain environments multiple times, but often, there will be a newly accessible path as well as a different goal than the first time around.

Gameplay in Jak II varies wildly mission-to-mission. It’s as if Naughty Dog drew its structure for the game from a hat full of disparate activities from other games. Racing missions, various mini-games, and getting to play as Daxter are interspersed well with the already deep well of platforming and combat-based tasks. Jet Board integration is one of the more impactful changes that the game has taken on for itself. This rip from Tony Hawk is faster and more convenient than running. Plus, Jak is also apparently a prodigy or some sort of gifted autistic, as he can perform several complicated tricks from the get-go. The ability to grind, go up ramps, and float on water adds new ways of platforming for several specially designed missions that require the board. The Titan Suit (mech) is used only a few times in certain levels, but is one of the many methods in which Naughty Dog widens the description of its game.

As well as the Baron’s forces, Jak encounters a much more terrible scourge of horrible enemies referred to as Metal Heads. Metal Heads take the place of the Lurker grunts and then some. These monstrosities are fiercer and put up a much tougher fight than those in the first game. They will take on many forms and use different tactics based on their class. Some use ranged weapons. Some charge the player in large numbers. Some are giant centipede beasts that will have the player hectically jumping from platform to platform, hoping they don’t get eaten alive. This means Jak can’t go bopping things on the head anymore. In The Precursor Legacy, Jak interacted with Eco energy to enhance his capabilities. Eco does return, but the myriad assortments and their characteristics have become the 4 gun mods Jak now has to fight his new adversaries. For instance, where Blue Eco made him faster in the first game, it now is used as ammunition for a rapid-fire Gatling gun. Same goes for Red and Yellow, which have become a shotgun and rifle respectively. The fourth gun, the Peacemaker, is capable of destroying multiple enemies and vehicles with one destructive, chain-lightning shot. The aiming is sometimes problematic, so playing aggressively and wildly is recommended over attempting to play with precision.

Another of the new combat features is the inclusion of the Dark Jak trigger ability. Like in Jak 1, this is tied to collecting little blips of eco, which can be found in crates or dropped by dead Metal Heads. Once the player has collected enough they have the option to release the energy in the Jak and Daxter equivalent of Hulking out, albeit very briefly. This alternate Jak starts out as being just an incredibly quick and bestial fighter, but also gains special powers such as invincibility and the ability to unleash devastating area-of-effect attacks. The Dark Jak system is an intriguing one, and does allow one to clear a room like an absolute bad ass (literally, in slow-motion), however there are some niggling limitations. The fact that the ability takes such a large amount of eco means that a) it is not often utilized, and b) it can have first time players frustrated since they will use it only to realize that the next group of enemies was bigger, or that there was a boss fight around the corner they should have saved it for. Also, the only method of upgrading your abilities is collecting Metal Head skull gems, which is just unnecessary collecting for the sake of collection, as there is nothing inherently special about them at all. All in all,  it serves for a fleeting, eye-catching break in fights, but it’s extremely limited usability and method of implementation hold it back from being a real tactical element in a player’s strategy.

Now just for some other miscellaneous grievances with Jak II. Let’s start with how hard this game is. This game doesn’t hold your hand. In fact, with no compass or arrow icon in the HUD to lead the players, traversing missions requires intuition and exploration on the part of the gamers (bright glowing lights and a spot with a group of enemies are generally good leads) A map is included in the start menu, but no one would blame you for looking at it like, “wtf?” Gamers who’ve grown accustomed to the game design of “press x to win,” are going to struggle a bit the first time around. The difficulty and frustrations that might have some rage quitting are related to the fact that the game is going to unapologetically expect the player to have some well-developed gaming chops. Getting swarmed with waves of Krimson Guard patrols is going to take some skill in order to get out alive. As some missions do not have health crates (a much welcomed addition over having to pick up 50 pieces of green eco in order to get one more hit point) in them, players will be at the mercy of the checkpoint system, which is about as generous as King Joffrey from Game of Thrones. You will die a lot. And it’ll more than likely send you to the beginning of a mission regardless of where you were and how long it took to get there. Many will welcome this level of challenge in their game, and some will think it’s not that bad at all. But others might end up putting the game down in favor of something more painless, like plucking all their bodily hairs out. Also, what the hell with the inverted camera being the default? Praise be to Morgan Freeman this did not live on past the PS2. Oh, and unfortunately, Naughty Dog does throw in a few escort missions in there, deserving only one response: “Blech, blech, (dry heave) blech. WHY?” That is all.

Jak II is a like a Frankenstein assembled from Jak 1’s chopped up parts, GTA’s brain, and random bits and bobs from every other game. The game makes sure that you will always have something new to do and makes doing so meaningful by propping it all up with a well written story to keep players invested. The evolved combat adds another layer of depth to the game despite the missed opportunity with the Dark Jak power. The game is tough, but is still manageable and a fun ride that rewards its players throughout. This entry in particular has led to divisiveness amongst fans of Jak and Daxter. Some won’t like the fact that the game is basically the videogame equivalent of someone who’s suddenly adopted wearing a lot of black and smoking cigarettes. Others won’t get why the original wasn’t this in the first place. If the inclusion of firearms, mild language, and a more melancholic world are things that don’t jive your turkey, then just stick to the original. However, there’s so much that this game has on offer that it’s at least worth trying Naughty Dog’s darker outing in the series.

Obligatory Number Rating: 8.5

Jak and Daxter: The Precursor Legacy REVIEW

During the era of the Playstation 2, Sony’s roster of franchise mascots represented some of the best videogaming the industry had on offer. Amongst the likes of Kratos and Ratchet and Clank, was Naughty Dog’s duo – Jak and Daxter. The elfish protagonist with the wise-cracking sidekick immediately came onto the gaming scene with strong delivery. The Precursor Legacy represents the sort of polished, high-quality entertainment that comes from a consistent game development studio working hard to better its craft further and further with each new game they put out. After success with their Crash Bandicoot series, Naughty Dog built a truly superb 3D platformer. Seeing as how a vast amount of the original Playstation’s and N64’s catalogue was of this breed, somebody had to get the formula perfected eventually. The Precursor Legacy is the culmination of the ideas set in late 90’s console gaming, and is a pinnacle of its genre.

In the world of The Precursor Legacy, the player controls Jak; the blonde, blue-wearing, mute, elf protagonist who is inhumanly agile and has the vertical leap of Michael Jordan in Moon Shoes. Jak is a pleasant and amiable character, if somewhat mischievous, and easily falls into the hero archetype. Because Jak is playing the part of the silent hero, the liveliness is beset on his best friend, Daxter. As well as being the catalyst for the story, Daxter goes along for the whole ride in their adventure. His personality seems like a relic of sorts, in retrospect, harkening back to the anthropomorphic videogame mascots so prevalent in the 90’s. Armed with quips (usually regarding his own well-being getting constantly put in jeopardy), sassy game over cutscenes, and a cartoony-style of animation to his face and gestures, he’s an excellent balance to Jak’s character. Imagining the game without him (the cutscenes in particular) would leave the story rather dry and ho-hum. He’s an essential X element, of sorts. Which is a good thing especially since comedy is often times a tightrope in videogames few developers can walk on. His interactions with the other two lead characters, Samos (the mentor figure who can control elements of life) and Keira (the inventive love interest), help build up the sense of connection the player has with them and adds motivation to get involved and care about what’s happening.

That being said though, the plot is fairly simplistic: After being exposed to Dark Eco, (a sort of raw, destruction energy that can take multiple forms of matter, but is generalized as purple-black ooze) Daxter (who previously looked rather malnourished) becomes an orange weasel-like creature with goggles and gloves who rides on Jak’s shoulder, and he needs to be turned back to “normal.” (Really, the transformation is an improvement.) Of course, it’s not so simple, as there’s only one man who could do it and he’s “far, FAR, to the North.” The way the story unfolds from there leaves things slightly mysterious until the 3rd act, but no one would knock you for saying it’s somewhat predictable. But just because it’s ending isn’t unexpected (spoilers: Jak beats the bad guys at the end) doesn’t mean it’s bad. In fact, the amount of creativity and world building Naughty Dog put into establishing the game universe almost requires these more recognizable plot points. The writing is far from lazy and the voice-acting is well done. Sometimes a simpler, tried and true story with a slight twist is just as enjoyable as the more complicated ones.

Advancing in the game revolves around collecting items called power cells. In order for the player to unlock the ability to go to the next hub world of the game, Keira will ask you to find a seemingly arbitrary number of these collectibles that are located in the levels, or to buy them off the denizens with precursor orbs (As with other games of the genre, the currency is just lying about the levels waiting for some protagonist to come pick them up). These other characters are mildly interesting, but seem rather disconnected from the main plot. They can give missions, and sometimes the dialogue between them and Daxter is worth a chuckle, but it is entirely possible to collect all the power cells from the levels without them telling you, just by using natural videogame logic. The levels do not put up barriers within themselves to prevent completion. For the most part, the stages are actually rather open-ended and do not require any specific tasks to be done in any particular order. This is good for first time players who are trying to just get the power cells Keira needs for her inventions, and allows a good degree of freedom in terms of what it is you want to do. (In order to get the secret ending however, players must collect all of the power cells, offering some initiative to go back through the teleport gates to collect them all.) The manner by which one earns a power cell is the best part of the game. Jak and Daxter is, at its core, a running, jumping, punching game. The amount of variety that Naughty Dog has put into its missions using this base structure is not only impressive, but manages to ward off any sense of fatigue or repetition, instead feeling fresh and compelling. Within a given level, you can find yourself interacting with various eco power-ups and different enemy types that change the way Jak plays, riding the Zoomer or Flut-flut (mountable bird creature) to access areas not traversable by conventional means, or any of the myriad of mini-game challenges or puzzles that dot the levels. Speaking of which, the levels are well realized and have an engrossing sense of setting, aided in part by the subtle, ambient soundtrack (a personal favorite being the Underwater Precursor City). Having something different to do, and never quite in the same way you did similar things before, keeps the game fun from start to end.

All in all, the first entry of the Jak and Daxter trilogy proved to be an enjoyable, refreshing experience in an industry that has had almost all of its AAA publishers inundated with making [generic shooter title of the year] and [competing shooter title of the year]. If videogames today have you feeling burnt out on the same-old, same old, this game will literally make you remember how games were fun. Not to say the game doesn’t have its issues. The camera can be a hassle to deal with, the health system show its age, and the generally bright tone can be off-putting if you’re an old curmudgeon or an emo-goth type. But considering the way video games have gone, every gamer with a Playstation console really owes it to themselves to play what can only be described as one of the best 3D platformer/ collect-a-thon games ever made. The Precursor Legacy clocks in at about 8-10 hours for completion, but it is a great ride all the way through and is one that (obviously) is coming highly recommended.
Obligatory Number at the End: 9.5/10

Diversity in the media ~ JMC blog post 1

Julian Reschman
Considering that now more than ever in modern society, we are in need of quick, reliable information from the internet, as well as from other “traditional” media, it’s a wonder why the majority of it tends to come from the same people who have been doing the job the entire time the job was around. There is a sort of familiarity problem in most areas of the media that could be attributed to the way in which the USA takes an uncomfortably long time to come around with changes to the status-quo. Watch any news program, and you’re going to see something in common amongst all the well-known anchors and reporters from CNN, FOX, MSNBC, etc.: They’re all white.

This is one of those things that easily goes unnoticed for the most part. Most people, myself included, don’t even see anything out of place until it has been pointed out to them, and they go about scratching their heads searching for that one token, colored person they saw on the news that one time, maybe. It’s just not something that is given too much thought due to the way it has just been established that on TV news channels, that the person speaking into the camera is not going to have a darker complexion. (Al Roker does not count, because Matt Lauer would never be caught dead standing in a Louisiana rain storm, telling us about the incoming sharknado about to hit. ) In fact, seeing that an African American was at the news desk telling us about the recent ISIS attacks (and the new shocking celebrity scandal, of course, but that’s a topic for a different occasion) would lead to one thought: “Huh, there’s a black guy telling the news stories? Don’t see that every day.” It would be immediately disorienting and would almost surely lead to the viewers trying to pay attention to how well he was doing his job, as opposed to the actual news stories. And that would be the sort of reaction just if it was on a relatively bipartisan news outlet like CNN. (If it were on FOX, people of both parties would also add in “WHY??” to that thought process.)

Speaking personally now, as a person of Hispanic heritage, this does send off a couple of alarm bells in the back of my head. However, they are rather faint. The mega media conglomerates and their news programs are surely going to use the least common denominator as their talking heads. It’s like I said, something that we’ve just come to get used to in our culture. Is it somewhat wrong? Yeah. Is it the worst thing ever? Not necessarily. A family friend (also a Latino) has actually been successful with his journalistic pursuits. It’s not as though journalism is some sort of exclusive clique of people, but demographically, it just seems that the population that most wants to get a job writing for a living is going to be white, generally. And considering I plan to work as a videogame journalist, a field where professional jobs are dominated by white males, I feel my voice could stand out in the crowd. So I’m not too worried, especially since people of every color and creed have flocked to the internet for what they’re looking for. I could ramble on more, but overall, if I had to say if the media was passing or failing, I’d give it a C+, for being harmlessly dumb.